“The most immediate impact that this book had on me was to make me listen again to Miles’ later recordings with a completely regenerated ear and this really is the reason why this book works so well and is an essential read for any true Miles Davis appreciator… you will be hard pressed to find a more inspirational read, written by a man who quite simply loves Miles Davis’ music.” Mike Chadwick, Ejazz.fm
“It is truly an excellent body of work that literally takes a reader from hearing rumours to realising truths about the Chicago group and our collective take on the Miles Davis comeback.” Glenn Burris, co-writer of "Shout" A brilliant job!” Patrick Murray, who worked on the road with Miles from 1986-1990 and was Miles’s concert sound mixer from 1988-1990 “I have to say that you did a marvellous job! It brought back strong memories of that time periodand answered a number of questions I had, especially the chapter on the Rubberband sessions. Congratulations for your very important contribution to the historical documentation of many who would otherwise have been overlooked!!!!” Robert Irving III Miles’s musical director 1983-1988 But it was very cool to see that era of Miles treated with the same respect as every other… someone gets it!” Benny Rietveld, Miles's bassist 1988-1990 “Wonderful job, congratulations! An immense amount of work must have gone into it, I can't even imagine. Thank you for capturing what was going on, the mood, everything.” Adam Holzman, Miles’s keyboardist and musical director 1985-1989 Finally, something that really gets it right. “George Cole’s writing, his choice of references, his descriptions of many incidents – it is all so clear and respectful, and shows a deep understanding.” Palle Mikkelborg, composer, arranger and producer of the ‘Aura’ album “Very moving, emotional material.” Gordon Meltzer, Miles’s last road manager and executive producer of the ‘Doo-Bop’ album “An important book.” Brian Priestley, co-author of ‘The Rough Guide to Jazz’, jazz pianist, critic and reviewer “The best Miles Davis book ever.” Randy Hall, singer/guitarist/producer, who worked with Miles in the 1980s
Miles’s band included Robben Ford on guitar and Bob Berg on saxophone, and the band plays two tunes from Tutu, ‘Portia’, and a 17-minute version of ‘Splatch’.
#Miles davis tutu plus
It features a remastered version of the original album, plus a second disc with live performances from the 1986 Nice Jazz Festival. A special 2-CD release put together by Florence Halfon from Warner Jazz UK.
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